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dwight howard inspired concept, empty arena & lots of equipment

Last tuesday I got a text message from the Umar the sports editor, “Can u meet me tomorrow at 3 at the bren? For carson clark feature photo?”. I was hoping he would call or text. On Monday I saw the sheet of paper with the page requests that the section editors fill out. Under the Sports section I saw “volleyball feature”, which usually meant there was going to be a feature story with a photo.

After I got the text I started brainstorming ideas for how to shoot him. I was definitely thinking of doing a portrait since it had been a while since the last one I did. Then later that day I got an email from Umar:

hey dude. i want a volleyball version of this today.
http://i250.photobucket.com/albums/gg262/doricalcinha/DwightHowardSupermanDunk.jpg
lets do it. im bringing the cape. 3:00 pm at the bren

Umar wanted a photo like this. We were going to put a cape on him and everything. And we did.

I then texted my friend and New University Staff Photographer Melissa Lee, to see if she could hook me up with a lighting kit. Like always, she came though big and got me a 600watt kit with 2 prophoto heads and a softbox. After that I got together some backup equipment including a backdrop kit and some grey paper, just in case the action shot idea fell through.

Wednesday. I didn’t have class but I got up early to pack my car and make sure I didn’t leave anything at home. The shoot was scheduled for 3pm. I picked up the lighting kit from Melissa at 1pm and headed over to the Bren.

When I got to the Bren I realized how much equipment I had and decided to send an email out to the New University photographers to see if anybody wanted to help me out. I then started making several trips to my car in order to get all my equipment. At about 1:30pm I had unloaded all my equipment and had received a text from Brandon Wong letting me know that he could come around 2:30pm.

The main difference between the photo that I was making and the one Umar sent me was that there were no spectators. No crowd to fill the background. To solve this problem I decided to knock out all the ambient light in the arena.

I set up a large soft box in front of where Carson would be and another light from behind to outline this back. I did a few test shots on myself using the timer mode, but didn’t get the lighting exactly how I wanted it until Brandon arrived did his best spiking impression.


Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f5.6, 1/250th

Everything was all set and ready to go by the time Carson arrived. When he got there I showed him the test shots of what I was trying to get and then we got to work. The first few shots turned out just as expected from the test shots.


Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f5.6, 1/250th

I took some more shots and tried a few different angles. When I was looking at the photos I started to notice a difference from the shots at the beginning.


Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f4.5, 1/250th

It was something that I couldn’t quite put my finger on and I didn’t like it. After the shoot was over I was looking at the photos on my computer and later realized that my light that was supposed to be lighting his back was not not firing. You can see the light on the right side of the photo, not firing 🙁


Canon 1D Mark IIn, 17-40mm @ 17mm, 125iso, f5.6, 1/250th

Everybody there was really liking the photos, but there still was something bugging me. There was just too much empty space. Even though it looks cool with him flying through the air, he is still pretty small in the frame. I decided to wrap up the shoot with a basic portrait so that I would have some backup photos just in case the others didn’t work out. I brought Carson over to the backdrop that we had already set up and moved the softbox over too.

Brandon stood in for the first few test shots.


Canon 1D Mark IIn, 70-200mm @ 93mm, 125iso, f10, 1/250th

Carson then took his place and got to work. First with a pose that Umar requested.


Canon 1D Mark IIn, 70-200mm @ 93mm, 125iso, f10, 1/250th

Then I wanted a shot of him confidently composed, looking straight into the camera. It showed him calm and in control, which I really liked.


Canon 1D Mark IIn, 70-200mm @ 70mm, 125iso, f9, 1/250th

As we shot in front of the backdrop his teammates started coming into the gym for practice. After seeing their teammate standing there in a superman cape and being photographed, they laughed and made little comments. I was able to
snap a quick one of him during one of these exchanges.


Canon 1D Mark IIn, 70-200mm @ 70mm, 125iso, f10, 1/250th

This was a mock up I sent to the sports editor. A composite with a portrait and the action shot. It was more complete and would be better for the story.


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Lighting workshop @ Tikko Studios


Canon 1D Mark IIn, 17-40mm @ 40mm, 100iso, f10, 1/250th

Last week I went to a free lighting workshop at Tikko Studios in Fullerton. The company was founded and is run by two UCI alumni, which is how I heard about it. It was a fun event. There were snacks and beverages, slide show presentations, models to shoot, and tons of other local photographer to meet. The lighting tutorials were not as advanced as I had hoped but it was still very informative and they did a really good job of teaching how to interact with your subject. I didn’t take too many photos, as I was there mostly there to listen and absorb knowledge, but here are a few shots.


Canon 1D Mark IIn, 17-40mm @ 40mm, 100iso, f10, 1/250th


Canon 1D Mark IIn, 70-200mm @ 85mm, 100iso, f10, 1/125th


Canon 1D Mark IIn, 17-40mm @ 28mm, 100iso, f16, 1/200th


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a helping hand and a behind-the-scenes perspective


Photo Courtesy of Brandon Wong Photography

My friend and fellow New University staff photographer, Brandon Wong, helped me out on a shoot I did for the newspaper the other day. He helped me set up and also managed to run around and get a ton of great shots.

He wrote on his blog about the shoot: http://www.brandonwongblog.com/2009/04/scott-roeder.html

Makes my life easier….although I’ll probably post in more detail about the shoot next week after the photos are published.


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h2O & nikon

I arrived to shoot Womens Waterpolo at 6:02pm, two minutes past the start of the game. I also was going to leave early because I had to go over and shoot Mens Volleyball at 7pm, which required me to get there early in order to turn on my strobes. I quickly pulled out a borrowed D300 and the newspapers 300mm f2.8 lens. With the sun beginning to go down, I positioned myself near the back of one of the goals with the sun behind me. This is where I stayed for most of the game. I was glad to be shooting waterpolo again and even more happy to be shooting it while the sun was still out.


Nikon D300, 300mm, 320iso, f2.8, 1/3200th


Nikon D300, 300mm, 320iso, f2.8, 1/1000th


Nikon D300, 300mm, 320iso, f2.8, 1/1250th


Nikon D300, 300mm, 320iso, f2.8, 1/1250th

The sun was just about gone and a large shadow was beginning to cover the pool. I changed positions to the opposite side of the pool and tried to get a silhouetted shot before I had to leave. The glare off the water was harsh but I tried to make it work. I had time for a few click and then had to head out.


Nikon D300, 300mm, 400iso, f2.8, 1/8000th

Every time I shoot a water sport I am reminded of how much I like shooting water-sports.

…and every time I use a nikon it grows on me a little. Especially when I can use one with a 300mm 2.8.


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Keeping things interesting, shooting from above, playing with light

Last week I shot Mens Volleyball at the Bren. I knew that since I only was lighting half of the court, I could backlight the players during one of the games. The first game I shot from a balcony and got some standard shots, all on my strobes with a 300mm.

Nikon D300, 300mm, 320iso, f6.3, 1/250th

Nikon D300, 300mm, 320iso, f6.3, 1/250th

Nikon D300, 300mm, 320iso, f6.3, 1/250th

Nikon D300, 300mm, 320iso, f6.3, 1/250th

Nikon D300, 300mm, 320iso, f6.3, 1/250th

Right after the first game ended I quickly made my way up into the catwalks, adjusted the positioning of my strobes and headed over to the opposite side of the court. I choose my position and sat up there for the whole next game. Backlighting the players was interesting. It was also very hard with the 300mm. It was difficult to get the ball and the players in the same frame without it looking like a big blob of shadows. I should have taken my 70-200mm and definitely will the next time I try it.

Nikon D300, 300mm, 100iso, f10, 1/250th

I also experimented with shooting the players while backlit on different parts of the floor. Its a new angle that I haven’t seen before and I’m pretty happy with the shots I got.

Nikon D300, 300mm, 100iso, f10, 1/250th

Nikon D300, 300mm, 100iso, f10, 1/250th

Shooting the same things the same way gets boring. You have to keep things interesting.


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think fast and shoot

Before I attended my first Sports Shooter Academy workshop I used to shoot in Av or Tv modes. I knew how to take pictures, but I was far from a photographer. At the workshop I was asking about settings and one of the main staff members was astonished that I shot in any of the auto modes. From that moment on I was set on truly learning how to use my camera. Since then I’ve shot in Manual mode and haven’t thought once about going back. There is so much control when shooting in manual and it allows for much more creativity. Honestly, I just can’t get myself to trust any of the auto modes.

But what happens when something is happening really quickly? What if I dont have time to check my settings, meter, change ISO, etc?

When I see amazing spot-news photos, photo stories, and candids, I wonder what was going through the photographers mind when they shot it. Did they pick up their camera and put it into Av and start shooting? Tv? Or did they think fast enough to manually set everything? Was the shot composed that way on purpose? Did they try to get a silhouette effect? Or were the settings underexposed when the picked up their camera?

The ability to think fast and adjust is one of the most valuable skills in my opinion. I feel like I play it safe too much and I pass up on a ton of good photo opportunities. I know what I’m looking for and I wait for it. I want to be able to evaluate whats happening and then adjust. This way I’ll end up with a better variety of photos. I definitely have a lot to work on.

Here is a photo that I shot on the fly a few weeks ago. A friend pointed it out. I grabbed my camera. Quickly adjusted settings. Then shot. I got the shot I wanted and got it before the moment was over. It was composed how I wanted it. It was exposed how I wanted it. The shot is nothing too special, but the process helps me learn more about how to shoot.

Is this how it works?



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April 7, 2009 - 1:28 am

tundah - hot.

April 10, 2009 - 6:46 pm

Brandon Wong - felt like i was reading a page from “the moment it clicks”

one liner – “I grabbed my camera. Quickly adjusted settings. Then shot. I got the shot I wanted and got it before the moment was over”